11/28/2023 0 Comments Paparazzi pictures![]() Whether or not Hamilton intended this allusion to Masaccio, Swingeing London 67 is a brilliant example of a modern artist discovering inspiration in a photograph taken by a paparazzo. By the end of the decade, the ‘60s had become a time of reckoning rather than partying of severe, “swingeing” penalties, not drug-taking. ![]() In other words, the paradise of the Swinging ‘60s was over. Wearing a striped green tie and a turquoise suit, Jagger, who is handcuffed to the flamboyant art dealer Robert Fraser, raises his manacled right hand to shield his eyes from the glare of the photographer’s flash.Īccording to the American art historian Hal Foster, Jagger’s gesture – the archetypal defensive pose of an embarrassed celebrity caught unawares by the paparazzi – recalls The Expulsion from Paradise, a famous fresco by the 15th-Century Florentine painter Masaccio in which Adam clutches his face with both hands in shame and despair. In this sequence of paintings and prints, several of which feature in a new retrospective at Tate Modern in London, Hamilton presented variations on a notorious newspaper photograph in which The Rolling Stones front man Mick Jagger can be seen in the back of a prison van travellingto Chichester Magistrates Court, where he faced charges of illegal drug possession. In 1968 the British artist Richard Hamilton, one of the fathers of Pop art, began Swingeing London 67, a famous series of works.
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